do androids dream?

For a class project at RMCAD, I made a title sequence for an imagined adaptation of Philip K. Dick’s Do Androids Dream of Electric Sheep?, the novel behind Blade Runner. I designed and animated it in yellow and black, using flat shapes and Saul Bass’s title work as a reference. The film credits are fictional.

Role
Designer and animator
Timeline
Class project at RMCAD, 2023
Tools
After Effects, Illustrator
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The concept

I started by reducing the city to silhouettes. Towers, roads, a sun, and a lone figure gave me enough to build the sequence around.

Against the yellow sky, the black buildings feel heavy. I used changes in scale and composition to give the sequence variety within those two colors.

Act one: the title in heavy black type on a flat yellow field
Act two: a black city skyline against yellow with a lone figure at right, edges fringed by chromatic aberration
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Visual language

I drew the skyline in Illustrator as flat vector shapes, then animated it in After Effects. The buildings dwarf the figure, giving the city a sense of scale without adding much detail.

A small amount of chromatic aberration adds colored fringes to the edges, like electronic interference. It makes the otherwise clean shapes feel slightly unstable.

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Motion & pacing

The 40-second sequence moves from the title into the skyline, then breaks the perspective with an inverted city and road. The final shots bring in the sun and a figure surrounded by radiating architecture.

Changes in perspective connect the scenes and make the city feel disorienting. I cut the sequence to The Doors’ “End of the Night.” The video here is silent; you can watch it with sound on YouTube.

Act three: the perspective breaks and a black road converges between yellow city blocks
Act three: a yellow sun rising into a black sky
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(C) 2026 Timothy Ali